Saturday, January 16, 2010

Vintage Pin Up Girls











Some of you might know that I am in love with vintage pin up girls...especially those by Gil Elvgren. I have an application that does fairly well on Facebook called "Pin Up Girls," and as I was working on it this morning, I thought I would share some of my favorites with you!

Disneyland yesterday. So much fun, got on Thunder Mountain twice! Hope you are having a great weekend friends!

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Friday, January 15, 2010

Christina Ricci











Another starlet who I think has a vintage like quality is Christina Ricci. Her career began with The Adams Family and she has blossomed into a beautiful young star. Here are some fabulous photos of her. Hope you have a great weekend friends!

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Thursday, January 14, 2010

All About Eve






Bette Davis is one tough broad. We all know that. Although she is one of my favorite actresses, it seems she was not overly liked in Hollywood among her peers. One of my favorite movies of hers is "All About Eve." My Marilyn even has a small part in this one! Here are some behind the scenes facts about the film. Check it out if you've never seen it!

--Claudette Colbert was originally cast as Margo Channing, but suffered a ruptured disc during filming on Three Came Home (1950) and had to withdraw. Bette Davis stepped into the role, even though 20th Century-Fox studio chief Darryl F. Zanuck and Davis couldn't stand each other, going back to when Davis walked out from her post as president of the Motion Picture Academy in 1941.

--Although he received screen credit, actor Eddie Fisher's scene was cut before the film's release.

--Darryl F. Zanuck envisioned Marlene Dietrich as Margo Channing, Jeanne Crain as Eve Harrington, and José Ferrer as Addison DeWitt. Director Joseph L. Mankiewicz's early choices for the Margo Channing role were Claudette Colbert and Gertrude Lawrence. When Crain became pregnant, Mankiewicz's final choice for the Eve Harrington part was Anne Baxter because she displayed a "bitch virtuosity" that he believed Crain could not provide. Other actresses were also named and considered for the part of Margo Channing, among them Tallulah Bankhead and Susan Hayward.

--Donna Reed was also considered for the part of Eve Harrington.

--Bette Davis' marriage to William Grant Sherry was in the throes of breaking up while she was making the film. Her raspy voice in the film is largely due to the fact that she burst a blood vessel in her throat from screaming at her soon-to-be-ex-husband during one of their many rows. Director Joseph L. Mankiewicz liked the croaky quality so he didn't have Davis change it.

--Zsa Zsa Gabor kept arriving on the set because she was jealous of her husband George Sanders in his scenes with the young blonde ingénue Marilyn Monroe.

--Ingrid Bergman was another actress considered for the part of Margo Channing but she had just fallen in love with Italian director Roberto Rossellini and didn't want to leave Italy.

--Holds the record for the film with the greatest number of female acting Oscar nominations.

--In real life, Bette Davis had just turned 42 as she undertook the role of Margo Channing, and Anne Baxter, still an up-and-comer, not only wowed audiences with her performance, but successfully pressured the powers that be to get her nominated for an Oscar in the Best Actress category rather than Best Supporting Actress. This is thought to have split the vote between herself and Davis. The winner for the 1950 Best Actress was Judy Holliday for her noticeable turn in Born Yesterday (1950), so Baxter's actions in effect blocked Davis' chances for the win.

--The theatre scenes in the film were shot at San Francisco's Curran Theatre at 445 Geary Street a couple of blocks from Union Square.

--According to the casting director's list, future White House occupants Ronald Reagan and Nancy Davis were considered for the roles of Bill Sampson and Eve Harrington.

--Bette Davis admitted later on that Joseph L. Mankiewicz's casting her in this movie saved her career from oblivion after a series of unsuccessful movies. She said in a 1983 interview, "He resurrected me from the dead."

--Bette Davis fell in love with her co-star Gary Merrill during the shoot of this movie and the two married in July 1950 a few weeks after filming was completed.

--In the theatre scene, Bette Davis mentions playwright Arthur Miller. Marilyn Monroe, who had one of her first roles in this film, later married Miller.

--Co-star Celeste Holm spoke about her experience with Bette Davis on the first day of shooting: "I walked onto the set . . . on the first day and said, 'Good morning,' and do you know her reply? She said, 'Oh shit, good manners.' I never spoke to her again - ever."

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Wednesday, January 13, 2010

Gwen








One of my favorite stylista's is Gwen Stefani. I have loved her since her ska days in No Doubt. She grew up in Anaheim, CA. and I have never heard anything bad said about her. Not only is she gorgeous, but her style is amazing. She used to look more tomboy-like, but in her recent years, she has a very vintage look. I have always loved her trademark platinum do and her red lips. Here are some pics of Gwen that I love. What do you think about Gwen and her style?

Oh, on a side note, I am amazed that I have 299 followers! Wow! Maybe I can reach 300 by the end of the week? I never thought in October when I started this blog for fun that I would have so many followers and make such great friends! You bring so much joy to my life!

Have a great Wednesday friends!

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Tuesday, January 12, 2010

Lana Turner and Johnny Stompanato




Johnny Stompanato's body at the crime scene

Lana and Johnny

Police Officer with knife from the scene

Lana Turner, Johnny Stompanato, and Cheryl Crane


More Hollywood scandal! One of the houses we encountered on our tour of Hollywood was Lana' Turner's former home. Lana was in love with Johnny Stompanato, a former marine, turned bodyguard for gangster Mickey Cohen.

Stompanato was extremely possessive of Turner. He reportedly slapped her around a little and although she tried to leave him on several occasions, he always convinced her to come back.

Cheryl Crane, Lana's daughter, had seen her mother with bruises several times. She knew Stompanato was abusing her.

On a Friday evening in 1958, Lana and Johnny were fighting. They were in Lana's bedroom, and Cheryl was in her bedroom next door. Cheryl recalled years later for Larry King, "[There were] awful fights, screaming and yelling and smashing glasses and just, you know, things I wasn't used to hearing," Cheryl told Larry King. "And she finally sat me down and told me the whole story about having had him thrown out of England when she was filming there because he beat her so badly. How he had threatened her life, my grandmother's life. She couldn't get him out of the house. She couldn't get rid of him. And my reaction was, 'Well, mother, call the police.'

According to Cheryl, she called to her mother and Johnny from outside the room to stop the fight. "Cheryl, get away from that door!" Lana yelled. "I'm not going to tell you again!"

But Cheryl didn't go away. Instead she begged her mother to stop arguing and open the door. "And she wouldn't open the door," Cheryl said. "She said, 'Go back to your room. John is leaving.'

"And, of course, he didn't leave. And then I started hearing the threats that he was making that he was going to cut her face, that he was going to kill my grandmother. 'And I'll get your daughter, too.'"

As Lana and Johnny argued behind closed doors, Cheryl went down to the kitchen and grabbed a carving knife from a drawer. Johnny and Lana had purchased the knife earlier in the day. She returned upstairs and found herself outside her mother's closed door.

The argument then tapered down and Stompanato was going to leave the house. He went to the closet and took a set of clothes and some heavy, wooden hangers.

Armed with the knife, Cheryl pleaded with her mother to open the door, which an exasperated Lana did. She stood between Cheryl and Johnny. He was facing the door and looking at Lana with a raised arm holding the clothes over his shoulder in such a way that all Cheryl could see was the arm and some sort of weapon.

He moved to go past Lana toward the door, his arm upraised holding ... something ... and Cheryl thrust out her arm. From Lana's vantage point it looked like Cheryl had punched Johnny in the stomach and he sucked in his breath and jerked like someone who has been hit.

"Oh, my God, Cheryl, what have you done," he gasped. Then he did a small pirouette and fell to the floor. Eyes closed and wheezing awfully, Johnny lay dying on the carpet of Lana Turner's new home. Cheryl backed away, the knife falling from her hand and Lana realized the horror of the event. Cheryl had not punched John; she had stabbed him with the carving knife. Lana went to her daughter, who was sobbing, and helped her back to her room. She returned to tend to John Stompanato.

Johnny was unconscious by the time he hit the floor. His breathing was labored. As if in a trance, Lana picked up the knife and dropped it into the sink in the pink marble bar. Then she called her mother.

Within minutes a doctor and Lana's mother were on the scene. Turner was giving Johnny mouth-to-mouth resuscitation when they arrived. The doctor, a family friend, gave Stompanato a shot of adrenaline directly into his heart, but it was fruitless. Johnny Stompanato, military hero, wannabe actor, small-time hood, gigolo and abuser was dead.

There are many who think that Lana actually murdered Stompanato and asked Cheryl to take the fall for it, knowing she would not be convicted of the crime. We will never know the truth.

Here are some pictures of all parties involved and the actual house as it stands today.

Have a great day friends!

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